Ve Sonra Biraz Marul Aldı: Robert Creeley’nin Şiir Sanatını Yaşamak
Anahtar Kelimeler:
Robert Creeley- şiir- felsefe- kimlik- modernizmÖz
Bu makale Robert Creeley'nin şiirsel dilemlere ve Yeni İngiltere etkilerine odaklanır, özellikle de yazarın şairle kişisel karşılaşmalarının açısından. Makale, Creeley'nin şiirlerinin izolasyon, topluluk arzusu ve öz-inkâr ile yerine getirme arasında olan gerilimleri incelemektedir. Yeni İngiltere kökenli bir yetiştirime dayalı bu gerilimlerin For Love: Poems 1950–1960 ve diğer eserlerde belirgin olduğunu öne sürmektedir. Yazar, Creeley'nin şiirsel düşüncenin bir kızgın ciddiyet ve anlık algılara ifade etme istekleriyle karakterize edildiğini savunmaktadır. Bu çalışma 'The End,' 'The Whip' ve 'A Form of Women' gibi ana şiirleri analiz ederek, Creeley'nin çalışmalarının aşk, kimlik ve bilişsel süreçlerin karmaşıklıklarını nasıl yönettiğini göstermektedir. Bu analizin önemi, Creeley'nin Amerikan şiirine olan sürekli etkisini anlamada katkısıdır.
(Türkçe özet ve anahtar kelimeler, özgün makaleye dayanılarak dizinleme amacıyla yapay zekâ destekli araçlar ve editör gözetiminde geriye dönük olarak hazırlanmıştır. Bu unsurlar özgün yayında yer almamaktadır.)
Referanslar
Allen, Donald, ed. The New American Poetry. New York: Grove Press, 1960.
Banks, Russell. “Notes of Creeley’s Pieces.” Robert Creeley’s Life and Work: A Sense of Increment. Ed. John Wilson. Ann Arbor: The U of Michigan P, 1987. 248–252.
Butterick, George .“Robert Creeley and the Tradition,” Robert Creeley: The Poet’s Workshop. Ed. Carroll F. Terrell. Orono, ME: The National Poetry Foundation, 1984. 119-134.
---, ed. Charles Olson & Robert Creeley: The Complete Correspondence. 8 vol. Santa Barbara: Black Sparrow Press, 1980–1987.
Cox, Kenneth. “Address and Posture in the Early Poetry of Robert Creeley.” Boundary 2 6.7. 3.1 (Spring/Fall 1978): 241–262.
Crane, Hart. Complete Poems and Selected Letters. Ed. Langdon Hammer. New York: Library of America, 2006.
Creeley, Robert. The Collected Essays. Berkeley: U of California P, 1989.
---. Collected Poems: 1945–1975. Berkeley: U of California P, 2006.
---. Collected Poems: 1975–2005. Berkeley: U of California P, 2006.
---. Contexts of Poetry: Interviews 1961–1971. Ed. Donald Allen. Bolinas, CA: Four Seasons Foundation, 1973.
Davidson, Michael. “Notes Beyond the Notes: Wallace Stevens and Contemporary Poetics.” Wallace Stevens: The Poetics of Modernism. Ed. Albert Gelpi. Cambridge: Cambridge UP, 1985. 141–160.
Duncan, Robert “After For Love.” Boundary 2 6.7; 3.1 (Spring/Fall 1978): 233–239.
---. [“The H.D. Book: Part II, Chapter 5”]: “Section Two.” Credences 1.2 (July 1975): 58–58.
Edelberg, Cynthia Dubin. “Robert Creeley’s Words: The Comedy of the Intellect.” Boundary 2 6.7; 3.1 (Spring/Fall 1978): 265–291.
---. “Creeley’s Orphan Lines: The Rhythmic Character of the Sequences.” Robert Creeley: The Poet’s Workshop. Ed. Carroll F. Terrell. Orono, ME: The National Poetry Foundation, 1984. 143–169.
Faas, Ekbert. Robert Creeley: A Biography with Maria Trombacco. Hanover, NH: UP of New England, 2001.
Gerber, Philip L. and Jerome Mazzaro, “From the Forest of Language: A Conversation with Robert Creeley.” Athanor 4 (Spring 1973): 9–15.
Heller, Michael. “A Note on Words: To Break With Insistence.” Robert Creeley: The Poet’s Workshop. Ed. Carroll F. Terrell. Orono, ME: The National Poetry Foundation, 1984. 171–174.
Lambert, Christopher. “From ‘Possibilities of Conclusion’.” Robert Creeley’s Life and Work: A Sense of Increment. Ed. John Wilson. Ann Arbor: The U of Michigan P, 1987. 321–334.
Leed, Jacob. “Robert Creeley and The Lititz Review: A Recollection with Letters,” JML 5.2 (April 1976): 243–259.
Lerner, Ben. “Of Accumulation: The Collected Poems of Robert Creeley.” Boundary 2 35.3 (Fall 2008): 251–262.
Mariani, Paul. “‘Fire is a Very Real Order’: Creeley and Williams.” Robert Creeley: The Poet’s Workshop. Ed. Carroll F. Terrell. Orono, ME: The National Poetry Foundation, 1984. 173–190.
Martz, Louis L. “From ‘Recent Poetry: The End of an Era.’” Robert Creeley’s Life and Work: A Sense of Increment. Ed. John Wilson. Ann Arbor: The U of Michigan P, 1987. 239–244.
McHugh, Heather. “Love and Frangibility: An Appreciation of Robert Creeley,” American Poetry Review 26.3 (May-June 1997): 9–16.
Mesch, Harald. “Robert Creeley’s Epistemopathic Path.” Robert Creeley: The Poet’s Workshop. Ed. Carroll F. Terrell. Orono, ME: The National Poetry Foundation, 1984. 57–85.
Moramarco, Fred. “Pieces of a Mirror: Robert Creeley’s Later Poetry.” Robert Creeley’s Life and Work: A Sense of Increment. Ed. John Wilson. Ann Arbor: The U of Michigan P, 1987. 335–343.
Morse, Samuel French. “The Motive for Metaphor—Wallace Stevens: His Poetry and Practice.” Origin 5 (Spring 1952): 3–65.
Obermayer, Roberta. “Robert Creeley: Good Company.” American Poetry Review 28.5 (SeptOct 1999): 17–18.
Perloff, Marjorie. “Robert Creeley’s Radical Poetics.” electronic book review (2207): npgs. .
Rasula, Jed. “Placing Pieces.” Robert Creeley: The Poet’s Workshop. Ed. Carroll F. Terrell. Orono, ME: The National Poetry Foundation, 1984. 163–169.
Smith, Leverett T. Jr. “Robert Creeley: ‘A So-Called Larger View’.” Sagetrieb: A Journal Devoted to Poets in the Imagist/Objectivist Tradition 7.2 (Fall 1988): 53-68.
Stevens, Wallace. “The Noble Rider and the Sound of Words.” The Necessary Angel: Essays on Reality and the Imagination. New York: Vintage Books, 1965.
---. Opus Posthumous. Ed. Milton J. Bates. Revised, Enlarged, and Corrected Edition. New York: Alfred A Knopf, 1989.
---. “The State of American Writing. 1948: Seven Questions.” Partisan Review 15.8 (Autumn 1948): 884–886.
Tallman, Warren. Three Essays on Creeley. Vancouver, B.C.: Beaver Kosmos, 1973.
Whittemore, Reed. “Review of Pieces.” Robert Creeley’s Life and Work: A Sense of Increment. Ed. John Wilson. Ann Arbor: The U of Michigan P, 1987. 236–238.
Williams, William Carlos. The Autobiography. New York: New Directions, 1951.
---. Selected Essays. New York: New Directions, 1954.
