Continuities

Abstract

This article explores the ongoing dialogue between American Studies and transdisciplinary, transcultural reflection. The author argues that continuity is key to promoting this discourse through cross-cultural and cross-media issues. The paper examines various contributions that illustrate this commitment, including Fred Kaplan's analysis of Gore Vidal's political involvement, Peter Kuznick's discussion on Oliver Stone's documentary series 'The Untold History of the United States,' Jonathan Stubbs' re-evaluation of David Lean's 'Lawrence of Arabia,' and Ikram A. Elsherif's study on Arab immigrant experiences in the U.S. Additionally, the article investigates how American literary texts are consumed in Turkey, with İnci Bilgin's examination of Toni Morrison's 'Recitatif' and Meltem Kıran-Raw's analysis of Selim İleri's 'Bu Yalan Tango.' Rebecca Waese's study on Guy Vanderhaeghe's 'The Englishman’s Boy' further demonstrates the potential for cross-media dialogue. The article concludes with Jim Welsh's assessment of Baz Luhrmann's adaptation of 'The Great Gatsby,' highlighting the film as an example of cultural bricolage. Through these diverse perspectives, the paper underscores the importance of sustained transdisciplinary and transcultural reflection in American Studies.

(The abstract and keywords were prepared retrospectively for indexing purposes using AI-assisted tools and editorial review, based on the original article. They did not appear in the original publication.)