Talking Visions: Multicultural Feminism in a Transnational Age

Abstract

a valuable resource for scholars and students alike. The book critically examines how heritage films construct national identity through narrative, visual aesthetics, and historical representation. Vidal explores the genre's evolution from its origins to contemporary iterations, highlighting its role in shaping public memory and political discourse. She argues that these films often serve as vehicles for ideological negotiation, balancing historical accuracy with entertainment value. By analyzing key examples such as *Chariots of Fire*, *Brassed Off*, and *The King’s Speech*, Vidal elucidates the complex interplay between national pride, cultural heritage, and global market demands. Additionally, she discusses how these films engage with issues of class, gender, and race, offering nuanced insights into Britain's socio-political landscape. The book also considers the genre's adaptability to digital platforms and its potential for future innovation. Overall, *Heritage Film* provides a comprehensive framework for understanding the multifaceted nature of heritage cinema in British culture.

(The abstract and keywords were prepared retrospectively for indexing purposes using AI-assisted tools and editorial review, based on the original article. They did not appear in the original publication.)