Postmodern Language-centered Writing and the Question of Ideology: A Polish Perspective

Authors

  • Jerzy Kutnik Author

Keywords:

postmodern literature, Ronald Sukenick, Charles Bernstein, language-centered writing, ideology

Abstract

This article examines the ideological dimensions of postmodern literature from a Polish perspective. It argues that while postmodern writers critique established cultural and artistic canons, they also acknowledge literature’s role in shaping social conditions. Focusing on language-centered texts, the study analyzes how American postmodernists such as Ronald Sukenick and Charles Bernstein engage with the politics of language. These writers challenge conventional forms to reflect social struggles and promote alternative worldviews. By comparing American and Polish language-centered poetry of the 1960s and 1970s, the article contests the notion that postmodernism is exclusively Western. It demonstrates how stylistic and formal experimentation functions as an ideological tool that questions dominant doctrines and envisions broader transformations in social and cultural life.

 

(The abstract and keywords were prepared retrospectively for indexing purposes using AI-assisted tools and editorial review, based on the original article. They did not appear in the original publication.)

References

Bernstein, Charles. "Blood on the Cutting Room Floor." Content's Dream. 351- 362.

-----. Content's Dream: Essays 1975-1984. Los Angeles: Sun & Moon Press, 1986.

-----. "Living Tissue / Dead Ideas." Content's Dream. 363-382.

-----. "Semblance." Content's Dream. 34-39.

-----. "Socialist Realism or Real Socialism?" Content's Dream. 411-427.

-----. "Stray Straws and Straw Men." Content's Dream. 40-49.

-----. "Thought's Measure." Content's Dream. 61-86.

-----. "Three or Four Things I Know about Him." Content's Dream.13-33.

Federman, Raymond. Critifiction: Postmodern Essays. Albany: State University of New York Press, 1993.

-----. "Self-Reflexive Fiction or How to Get Rid of It." Critifiction: Postmodern Essays. 17-34.

Perloff, Marjorie. The Poetics of Indeterminacy: Rimbaud to Cage. Princeton: Princeton University Press, 1981.

-----. "The Word as Such: L=A=N=G=U=A=G=E Poetry in the Eighties." The Dance of the Intellect: Studies in the Poetry of the Pound Tradition. Cambridge: Cambridge University Press, 1985. 215-238.

Silliman, Ron. "New Prose, New Prose Poem." Postmodern Fiction: A BioBibliographical Guide. Ed. Larry McCaffery. New York: Greenwood Press, 1986. 157-174.

Sukenick, Ronald. In Form: Digressions on the Act of Fiction. Carbondale and Edwardsville: Southern Illinois University Press, 1985.

-----. "Introduction: Art and the Underground." In Form. xiii-xxii.

-----. "Eight Digressions on the Politics of Language." In Form. 49-65.

-----. "Experiment and Experience: My Life in Fiction." American Book Review 10.5 (1988), 3-15.

-----. "Thirteen Digressions. In Form. 16-33.

-----. Up. New York: Dial Press, 1968.

Downloads

Published

1996-10-01

Issue

Section

Research Articles

Categories

How to Cite

Postmodern Language-centered Writing and the Question of Ideology: A Polish Perspective. (1996). Journal of American Studies of Turkey, 4, 3-13. https://www.jast.org.tr/index.php/main/article/view/131