My Family

Abstract

The film My Family (1995), directed by Gregory Nava, offers a nuanced exploration of Chicano identity, cultural assimilation, and socio-political tensions between Mexican-American communities and mainstream American society. Through the lens of three generations of the Sanchez family, the narrative examines economic hardship, racial prejudice, and psychological struggles in a segregated urban environment. The film argues that Chicanos exist in an ambiguous space—neither fully accepted in America nor disconnected from their Mexican roots—a theme symbolized by physical and metaphorical borders within Los Angeles. The analysis dissects key symbols such as the Mexico-U.S. border and bridges between East and West LA, illustrating how spatial divisions reinforce social hierarchies. It also critically assesses the film’s portrayal of Carlitos, whose rejection of his heritage underscores generational disconnection and systemic marginalization. Aligning with postcolonial and critical race theory, as well as cultural studies frameworks, the review highlights how space constructs identity while incorporating psychoanalytic perspectives on individual trauma. Ultimately, the analysis emphasizes the film’s role in reclaiming Chicano history within Los Angeles’ narrative, offering a poignant commentary on belonging and cultural preservation.

(The abstract and keywords were prepared retrospectively for indexing purposes using AI-assisted tools and editorial review, based on the original article. They did not appear in the original publication.)