Adaptation Past, Present and Future – An Interview

Authors

  • Jim Welsh Author

Keywords:

adaptation studies, Literature/Film Quarterly, Jim Welsh, film adaptation, academic journals, interview

Abstract

This article presents an interview with Jim Welsh, one of the founders of Literature/Film Quarterly, exploring the history, evolution, and future of adaptation studies. The discipline of "adaptation studies" has grown significantly since its early theoretical foundations were laid by George Bluestone's Novels into Film (1957) and the establishment of journals like Literature/Film Quarterly in 1973. The interview delves into the inception of Literature/Film Quarterly, its initial challenges, and its role in shaping the field. Jim Welsh discusses the journal's primary allegiance to literature, its shift towards film studies, and the contributions of European filmmakers. The article also highlights the journal's self-sufficiency within three years and its impact on the academic community. Through this interview, the paper examines the broader significance of adaptation studies as a discipline that has expanded beyond the transformation of literary texts into cinematic forms to encompass new ideas and methodologies.

(The abstract and keywords were prepared retrospectively for indexing purposes using AI-assisted tools and editorial review, based on the original article. They did not appear in the original publication.)

References

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Butch Cassidy and the Sundance Kid. Dir. George Roy Hill. Perf. Paul Newman, Robert Redford. Twentieth Century-Fox, 1969. Film.

Cahir, Linda Costanzo. Literature into Film: Theory and Practical Approaches. Jefferson, NC: McFarland and Co. (Publishers), 2006. Print.

Dubin, Al, and Harry Warren. “Shuffle Off to Buffalo” (1933). Lullaby of Broadway: The Best of Busby Berkeley. Warner Bros., 1979. Audio Cassette.

Eberwein, Robert T. A Viewer’s Guide to Film Theory and Criticism. Metuchen, NJ: The Scarecrow Press, 1979. Print.

Forty-Second Street. Dir. Busby Berkeley. Perf. Ruby Keeler, Dick Powell, Ginger Rogers. Warner Bros., 1933. Film.

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The Great Gatsby. Dir. Jack Clayton. Perf. Robert Redford, Mia Farrow, Bruce Dern. Paramount Pictures, 1974. Film.

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Henry V. Dir. Kenneth Branagh. Perf. Kenneth Branagh, Derek Jacobi, Simon Shepherd. Renaissance Films/ BBC, 1989. Film.

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Macklin, Tony. “Introduction.” Voices from the Set: The Film Heritage Interviews. Lanham, MD: The Scarecrow Press, Inc., 2000. iv-xiv. Print.

Maland, Charles J. Chaplin and American Culture. Princeton: Princeton UP., 1991. Print.

-----. Frank Capra. Boston: Twayne Publishers, 1995. Print.

Manchel, Frank. Film Study: A Resource Guide. Madison and Teaneck: Farleigh Dickinson UP., 1975. Print.

Moore, Harry T. “D. H. Lawrence and the Flicks.” Literature/Film Quarterly 1.1 (1973): 3-11. Print.

Moscaliuc, Mihaela. Father Dirt. New York: Alice James Books, 2010. Print.

Stam, Robert. Literature through Film: Realism, Magic, and the Art of Adaptation. Malden, VA, and Oxford: Blackwell Publishing, 2005. Print.

Thomson, David. The Big Screen: The Story of the Movies. New York: Farrar, Straus and Giroux, forthcoming.

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Published

2011-04-01

How to Cite

Adaptation Past, Present and Future – An Interview. (2011). Journal of American Studies of Turkey, 5-20. https://www.jast.org.tr/index.php/main/article/view/1710