Masumiyet

Abstract

This abstract examines the film Masumiyet (Innocence) directed by Zeki Demirkubuz, focusing on its narrative structure and stylistic elements that challenge conventional cinematic norms. The film explores themes of love, sacrifice, and existential meaning through the intertwined lives of characters Bekir, Uğur, Çilem, and Yusuf. Central to the plot is the revelation that Çilem, the daughter of Zagor, was rendered mute due to abuse during her mother's pregnancy with Uğur. The film culminates in a series of events where Yusuf discovers an unexpected connection to Zagor, offering him a glimmer of hope amidst his otherwise aimless existence. Demirkubuz employs long shots and minimal background music to underscore the characters' emotional isolation and the film's philosophical underpinnings. By eschewing traditional Hollywood conventions, Masumiyet invites viewers to reflect on the cyclical nature of failure and resilience, aligning with Samuel Beckett’s existential philosophy. The film thus emerges as a stylistically challenging yet profoundly moving exploration of human condition and hope.

(The abstract and keywords were prepared retrospectively for indexing purposes using AI-assisted tools and editorial review, based on the original article. They did not appear in the original publication.)